Classic Films: Duck Soup

"He may look like an idiot and talk like an idiot but don't let that fool you. He really is an idiot." - Groucho Marx

Comedy is something that really doesn't seem suited to the feature length presentation. Looking through the AFI's list of top 100 comedies, of the films I've seen on that list, very few I would consider good because they were funny (that's not to say they weren't good films). Aside from Monty Python's Holy Grail and Blazing Saddles, there's very few comedies I'd watch for their comedic value. For me, a stand-up show or TV are better avenues for laughs (I write this as I'm rewatching Seinfeld for the Nth time).

Comedy was at the focus of this film. Jokes were coming as quick as they could be delivered, especially when Groucho was talking. And if one joke fell flat, there was always another on its way. Some of the jokes did indeed fall flat, but there were quite a few hilarious ones too. The delivery of the final confrontation with the ambassador was superb. The visual gags were more hit than miss, including the wonderful mirror scene. I was surprised that they could get away with an implicit reference to bestiality in 1933!

I might blame sitcoms for modern films trying to do comedy with facile attempts for plausibility, and I think they suffer for it. Duck Soup didn't leave us wondering how on earth someone like Mr Firefly could just get put into a position of power, or why two incompetents (including one who turned everything into a visual gag) were given the task of being a spy. Nor were we wondering why that poor vendor needed to have his hat set on fire twice.

I was curious to find out after seeing the movie that the Marx Brothers first began in the Vaudeville and on Broadway before making films. The film, especially early on had that theatrical flavour to it - complete with a musical number or two just for the sake of it. Entertaining, but something that seems largely lost to modern cinema outside of Mel Brooks films. I do wonder if the film's comedy was partly a relic of the silent film era, or that comedy of this style is better suited to stand-up routines. In either case, modern comedies don't resemble this apparent historically significant comedies, and in my opinion that's a pity.

Classic Films - The Challenge

Last year, I was able to work my way through a different album each day. Towards the end of the year, I realised that this was an opportunity to be able to listen to some of the culturally and historically significant albums. While I managed to get a few in, a large portion of the new music I heard were from unsigned or underground metal acts whose music was on Bandcamp.

About 6 months ago, after reading another one of those "greatest films of all times" list of which I had not even heard of most of the films listed - let alone seen any - I decided that for this year, I would watch a classic film each week. I made a list and started watching films on it (Annie Hall, Vertigo, The Maltese Falcon, Lawrence Of Arabia, The Battleship Potemkin, etc.), but this year I've decided to make a regular thing of it.

I use the term classic a bit loosely, so I can incorporate films that are of cult status, or classic for all the wrong reasons. My experience of doing this in the past is I see the things that shows like The Simpsons or Family Guy referenced/ripped-of/paid homage to. In any case, I hope to better understand the magic of cinema as Scorsese brilliantly conveyed in the delightful film Hugo. Week 1: Duck Soup Week 2: Taxi Driver

Brainstorming Session At Bethesda

"Look what we've done with the Fallout franchise. We've turned an existing franchise into millions of sales. Can we do that again?"
"If we're taking franchises that were big in the late 90s, I wonder if there's a way we can reboot the Thief franchise?"
"Eidos still owns the intellectual property rights to that game."
"Besides, rumour has it that they are working on a new game."
"Still, I really think we could have a go of doing a Thief game well. What if we took the general idea of Thief and changed a few of the mechanics?"
"Like what?"
"Well, instead of slowly sneaking up on people and clobbering them over the head, how about we sneak up on people to stab them?"
"That's a start, but it doesn't sound like enough."
"We could change the focus away from stealing. Stealing would be there, but it wouldn't matter as much."
"So what would the goal be?"
"Remember in Oblivion where we assassinated the Emperor at the beginning? Imagine if the Emperor's guards were in on it and could frame the protagonist."
"And from there, the protagonist seeks revenge... I like it. What else?"
"What if, too, we take away the punishment for not being stealth? We make it so stealth can be there for those gamers who crave stealth, but also allow gamers to play it like an FPS."
"But won't that discourage people from using stealth? Why make a stealth mechanic if it's only optional?"
"I know, we'll reward players who use stealth with a different ending - a good ending. And punish players who just kill everyone by giving them a bad ending."
"That sounds a little like Bioshock."
"Bioshock also did cool magic powers, perhaps we can use them too."
"Oh, and we should include zombies because they're the in-thing right now."
"Yes, this is sounding more and more like a game. Let's get on this quick before Thief 4 comes out."

Perhaps Bethesda weren't going out on a limb conceptually, but what's not to love about a game that combines Thief, Bioshock, and the Elder Scrolls franchise?

2012 In Metal

Favourite Albums
1. Ne Obliviscaris - Portal Of I
2. Woods Of Ypres - Woods 5: Grey Skies & Electric Lights
3. Neurosis - Honor Found In Decay
4. The Devin Townsend Project - Epicloud
5. Hypno5e - Acid Mist Tomorrow
6. Meshuggah - Koloss
7. Yakuza - Beyul
8. Alcest - Les Voyages De L'Âme
9. Wodensthrone - Curse
10. Old Man Gloom - No

Honourable Mentions
The Levitation Hex - The Levitation Hex
Amenra - Mass V
Hung - Hung
Blut Aus Nord - 777 (Cosmosophy)
Be'lakor - Of Breath and Bone
Ihsahn - Eremita
Gojira - L'Enffant Sauvage
Epica - Requiem For The Indifferent
Monuments - Gnosis
Ruins - Place Of No Pity
Enslaved - RIITIIR
Pallbearer - Sorrow and Extinction
Kuolemanlaakso- Uljas Uusi Maailma
Krallice - Years Past Matter
Anaal Nathrakh - Vanitas

EP Of The Year
Agalloch - Faustian Echoes

Non-metal I liked
Swans - The Seer
Muse - The 2nd Law
Lana Del Rey - Born To Die
Torche - Harmonicraft
Coheed & Cambria - The Afterman: Ascension
Anathema - Weather Systems
Les Discrets - Ariettes Oubliées...

QFT

"A politics emptied of substantive moral engagement makes for an impoverished civic life. It is also an open invitation to narrow, intolerant moralisms. Fundamentalists rush in where liberals fear to tread." - Michael Sandel